Over the last twenty years, Jason Waterhouse has been applying his malleable skills to public commissions, installation and drawing, articulating his poetic relationship to the world by warping and manipulating utilitarian objects. Advocating a non-elitist form of art making, Waterhouse thrives on altering spaces and objects through a strong craft sensibility combined with the Western idea of the ready-made. 

In his latest exhibition, Waterhouse has crafted an installation of six intimate objects connected through the theatrics and deception of material and space. With the works taking their starting point from his dual interests in the manufactured and the natural world, Deceptions darkly narrates open-ended uncertainty through trickery and illusion. Mimicking nature and tools, the works create a sense of unease and wonderment, enabling cinematic narratives viewers are more likely to see in science-fiction films.  Carved marble branches with crystalline forms, branches spawning supernatural growths, and carefully sculpted pieces of marble tenderly carved; blurring the lines between the fabricated and the found object.  Working within this trajectory and using an assortment of personal and cultural signifiers, Deceptions psychologically engages the space between the known and the unknown.  

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