Robert Hague, Kookaburra (after Vernet)
ROBERT HAGUE
Kookaburra (after Vernet), 6/25, 2025
hand-coloured lithograph, (pinks), on cotton rag paper, edition of 25, Vic ash frame
58 x 76 cm (paper size)
68 × 86 × 4 cm (framed size)
$ 2,800
collect from Stockroom in Kyneton (VIC), or we will be in touch to discuss delivery options
Additional Info
Kookaburra (after Vernet). 2025
Hand coloured lithograph on cotton rag paper
56 x 76cm (paper), edition of 25
Don't be a Galah.
With a global leadership of (orange) clowns, Australia battles a tempest at sea ('Kookaburra', Australia's failed defender of the '87 America's Cup race) and faces the threat of an unfriendly shore (American flag, upside down, in the universal expression of danger/distress).
In 1987, ‘Kookaburra’ lost to ‘Stars & Stripes’, yet no one stands to win today, when fools are made into captains. And yes… Kookaburra is a Pink Cockatoo.
*A storm confronts Australia, whilst a heartless Galah (the Mango Mussolini) seeks to rule over us.
Footnote: In the winter of 2025, Hague was invited to crew on the yacht Kookaburra II, reigniting a lifetime love of the sea and sailing.
…
Robert Hague’s lithographic prints bring together the feel and grandeur of antiquity with an often-biting commentary on the modern world. By embracing classical techniques, he manages to make the bitter into the sweet and shows us that contemporary art can be timeless. His plate series ‘Porcelaine’ employs the metaphor of the domestic souvenir dish, a decorative object that speaks of the politics and culture of the collector, decoration as meaning, pattern as ownership and our desire for a cultural belonging. All the plates depicted are broken and of this Hague says that “against expectations it is our scars that tell the story of our lives, and it is this that makes us beautiful.”
From his studio in Melbourne, Hague prints his own work directly from limestone slabs, on a 1940’s Charles Brand lithography press. He has exhibited widely and is represented in major public collections such as the National Gallery of Australia and the National Gallery of Victoria. In 2019 his work was the subject of a retrospective at the Casula Powerhouse (Sydney). Recent exhibitions include ‘Melbourne Now 2023’, NGV Australia, ‘New Prints’ at IPC New York, ‘Common Ground’ at NGV International, ‘The Megalo International Print Prize’ (Canberra), ‘Porcelaine’ at Turner Galleries (Perth), the Blake Prize (awarded the Blake Residency), 'CRUSH' at Fehily Contemporary, the ‘Wynne Prize’ at AGNSW and 'Inaugural' at Nicholas Projects.