The start point for this composition is the iconic painting Christina's World (Andrew Wyeth, 1948), which "depicts a young woman... lying in a grassy field... Her silhouette is tense, almost frozen, giving the impression that she is fixed to the ground. She stares at a distant farmhouse... ancient and greyed in harmony with the dry grass and overcast sky (MOMA catalogue).

“I have imagined Christina's inner self, joyfully skipping across the scene (Skipping Vinegar Girl, 1936), the farmhouse now instead the Abbotsford Convent (mysteriously wrapped by the acclaimed artists Christo & Jeanne-Claude). Christina's leap of joy is a symbolic step into the new, reborn.”

The scene is framed by a huge hollow tree.