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Robert Hague, Artworks
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Surrender (after Pussy Riot), AP, unframed

A$1,500.00

ROBERT HAGUE
Surrender (after Pussy Riot), Plate series, AP, 2019

hand-coloured lithograph on cotton rag paper, edition of 25, unframed
70 x 70 cm
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Mine - Yours (after Dance), porcelain plate (yellow), 1/5 robert-hague-empire-installation-2.jpg
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Mine - Yours (after Dance), porcelain plate (yellow), 1/5

A$3,500.00
Victoria (the Famine Queen), 4/25, unframed

Victoria (the Famine Queen), 4/25, unframed

A$1,800.00
Christina (after Wyeth), 19/25
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Christina (after Wyeth), 19/25

A$1,500.00
Mine - Yours (after Dance), porcelain plate (light orange), 1/5 robert-hague-empire-installation-2.jpg

Mine - Yours (after Dance), porcelain plate (light orange), 1/5

A$3,500.00
Mine - Yours (after Dance), porcelain plate (red), 1/5 robert-hague-empire-installation-2.jpg
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Mine - Yours (after Dance), porcelain plate (red), 1/5

A$3,500.00

Additional Info

Betsy Ross (d. 1836) sits picking at an American flag beside the triumphant French and American troops at the Surrender of Cornwallis (Trumbull. 1820). Lord Cornwallis was the failed British general whose loss virtually guaranteed American independence. Betsy a patriotic female icon credited with sewing the first American Flag, which she probably didn’t. Her identity now long lost to the message, she sits wearing a balaclava (Pussy Riot. 2011).

In our patriarchal retelling of history, women feature merely as props illustrating the morality of men’s gross actions and are almost always depicted as meek and available. Russia’s feminist protest punk band Pussy Riot tears this image down and challenges the appropriation of identity.

In 2016 the Russian government interfered in the US presidential elections, assisting the election of the (self-confessed pussy grabbing) Trump-led Republican Party.

All of these things are broken.