carly-fischer-straight-up-1.jpg
Carly Fischer, Artworks

Straight up (from I feel the earth move under my feet)

A$2,100.00

CARLY FISCHER
Straight up (from I feel the earth move under my feet), 2021

pine, mdf, bricks, adhesives, acrylic paint
(photo credit: Edwina Stevens)
38 x 14 x 11 cm
$ 2,100

I ENQUIRE I

Add To Cart
carly-fischer-straight-up-1.jpg
Strata IV (Velodrome) carly-fischer-velodrome-kyneton-ms7.jpg
Sold

Strata IV (Velodrome)

A$2,900.00
Strata III (Velodrome) carly-fischer-velodrome-kyneton-ms2.jpg

Strata III (Velodrome)

A$2,900.00
Ghost (from the series The Commons) carly-fischer-ghost-1.jpg

Ghost (from the series The Commons)

A$2,100.00
Magic (Velodrome)

Magic (Velodrome)

A$1,800.00
carly-fischer-rise-front.jpg carly-fischer-rise-back.jpg

Rise (from the series The Commons)

A$2,100.00

Additional Info

CARLY FISCHER

"I feel the earth move under my feet" is a sculptural and audio response to research undertaken at Melbourne’s Living Museum of the West in Maribyrnong. The work investigates 3 intersecting narratives of time, place and volatility specific to the site; its ancient volcanic landscape, its industrial history of women working in explosives factories and the material disintegration of its archived oral histories. Through sampling archives, sounds and objects collected and inspired by the site, the installation reconstructs an alternate audio and sculptural narrative that shifts between past and present. Developed in collaboration with sound artist Edwina Stevens, the installation’s soundscape resurrects some of the hidden histories and voices of Melbourne’s West to speak through the material fragments of its contemporary context.

Using samples of archival interviews with the women, readings of geological publications and newspapers, field recordings and synthesised sounds, the installation weaves a sonic narrative in conversation with found and fabricated sculptural fragments of the past and present site. Embedded in the sculptural materiality of the installation, the 5-channel soundscape emerges through clusters of vintage speakers and sculptures, acting as conduits for the resurrected voices that float around the space. Disintegrating and reconstructed archival boxes and factory signs merge with the women’s wartime anecdotes of danger, volatility and feminism; a kettle starts boiling, merging into a volcanic rumbling around ancient basalt rocks and construction site debris; past and present geological, industrial and feminist narratives of Melbourne meet, merge and shape shift around the space.

I AVAILABLE ARTWORKS I